Script Analysis.
  • Blog
  • Contact

7 Screenwriting Rules That Are Killing Your Creativity

9/4/2012

13 Comments

 
You’ve read dozens of screenwriting rules online, if not hundreds or even thousands.

Beginning screenwriters cling to these rules, vowing to never break them in order to set themselves apart from all the ‘bad screenwriters’ out there.
Picture
But think about it: If every beginning screenwriter is committed to following the same set of rules, how is anyone ever going to stand out?

In this post, I’ll share the 7 “Screenwriting Rules” that are killing your creativity…and your career.


Click here for more...
Hold On a Second

Yes, there are a few fundamental tenets that should generally be adhered to.

I’m not advocating rebellious, reckless writing.  Only that you always put story first, not rules you read online or in books.

Think About It: Why are screenwriters so willing to follow these rules, and ignore it when their favorite movies don’t? Write like your heroes, not your peers.


1) Story Is Guided by Page Count

Every screenwriting book has its own map for what story event should happen when. Inciting incident by page ten, midpoint at page sixty and so on and so forth.

But here’s the truth: Every story is different, and every story requires a different sequence of events.

Too many writers lock into these page counts. They obsess over hitting the beats in the right spots, and in doing so, they totally cripple the natural flow and momentum of their story.

Let your story guide you, not page count rules.

2) Your Protagonist Has to Be Likable

Your hero does not have to be a good guy. He doesn’t have to do likable things. He just needs to be interesting, compelling and active.

Audiences often love characters that don’t do likable things. So don’t get too caught up on this rule.

See: Walter White, Mark Zuckerberg 
Picture
3) Plot Comes First

Too many screenwriters outline story before they have a strong idea of who their central characters are. This is a critical error, because story comes from character.

It should be impossible to know anything substantial about your story before you’ve defined the character that will be driving it.

4) Set Up the Plan Before It’s Enacted

Beginning writers are often taught to be transparent with their story telling. A big example of this can be found in third acts of amateur screenplays everywhere.

New writers set out their big ‘rescue’ or ‘get the girl’ plan in dialogue before the hero pursues it. They reason that this way the audience will be able to follow along and keep score as the hero concludes their journey.

But this deflates all the mystery from your story.

Be very careful what you set up, and use the tunnel effect to your advantage whenever you can. 

Stories, like life, unfold gradually.

5) Write What You Know

This maxim should never be taken literally. If you’re a writer, chances are your daily experiences don't differ much from those of your colleagues. 

You spend your days sitting at a desk writing, or at a day job thinking about writing. 

Think about this advice as broadly as possible. Write about who you are and what drives your decisions. Apply what you know and who you are to your stories, without limiting yourself to actual life experiences. 

Combine your life experience and perspective with your imagination and you’ll have a unique story to tell that’s distinctly yours.

6) Your Screenplay Should Be X Number of Pages

This is very much related to item number one on this list. Just like you shouldn’t be worried about specific beats happening by certain pages, you shouldn’t be pre-occupied with where FADE OUT happens. 

Write your story as long as it needs to be, with no extraneous scenes. However many pages that takes is exactly how long your script should be. 

7) Your Antagonist Has to Be Unlikable

This is one of the worst pieces of advice out there, and just like the ‘likable protagonist’ bit, it’s all over the place.  
   
Good characters are complex. The only thing your antagonist has to do is get in the way of your hero.

A likable bad guy can be very fun to watch, and if every antagonist is blindly bad, that’s boring.

Generally, Ignore All Absolutes

So many screenwriting rules tell you to ALWAYS do this or NEVER do that. It’s this mentality that handcuffs good writers. 

Keep an open mind as you write. Even if it means doing that one thing that screenwriters are never supposed to do. 

What Now?

Be judicious with which rules you follow. While all of these rules are rooted in something helpful, too many writers take them as gospel. 

Remember: Screenwriting rules are not absolute. When taken absolutely, they will stop any good script dead in their tracks.

Good stories are surprising. They adhere to some rules. They break others. Don’t be afraid to write the screenplay that makes the most sense to you, even if all the books say you’re doing it wrong. 


Because how much can writing 'by the book' really help you when you're trying to write for the big screen?

What other bad screenwriting rules are out there? Comment below.

13 Comments
Michael Faunce-Brown
9/5/2012 11:15:37 am

The three act script. At last the eight or so mini acts are here.

Reply
Script Quack link
9/9/2012 11:12:30 am

Great point, Michael. Too many writers are shackled by rules about acts, act breaks, etc. As long as the story works, and as long as there's real causality there, your audience will be entertained, and that's what matters.

Reply
Minshu
9/5/2012 01:18:06 pm

Voice over is bad. Voice over can raise the bar of the story if used in a smart and unique way.

Reply
Script Quack link
9/9/2012 11:13:36 am

You're right, Minshu. This is one of those absolutes with too many counter examples to be taken seriously. Thanks for commenting.

Reply
Adite link
9/7/2012 07:07:55 pm

Great piece. Another rule: Never use Flashbacks. FBs add depth to the story provided it doesn't stop the forward flow of the story.

Reply
Script Quack link
9/9/2012 11:15:51 am

Definitely. Used well, flashbacks can actually advance the story forward. Cool website, by the way. Look forward to seeing you around the blog.

Reply
Adite link
9/9/2012 11:29:00 am

Thanks for visiting my website. :)

Aaron
9/9/2012 12:11:12 pm

Thanks for freeing my mind! Look out world here I come!

Reply
Jeeves
11/20/2012 05:18:00 am

#6 is terrible advice. if you're an unknown spec writer, nobody is going to read your 170 pg. screenplay.

Reply
Debbie
1/14/2013 02:12:53 pm

I'm a newby (yes, I know...it's the way I SPELL it)......thank you so much for this article!!! The more I got into the 'right' way to do things, the LESS I enjoyed writing and the more stressful it became through intimidation of it all....this article and another one has helped me so much! .......EXHALE!!!!

Reply
Script Quack link
1/15/2013 01:15:23 am

That's great, Debbie! Thanks for stopping by. Looking forward to seeing you around the site.

Reply
cheap essay writing link
11/10/2013 07:41:19 pm

Great piece of writing, I really liked the way you highlighted some really important and significant points. Thanks so much, I appreciate your work.

Reply
Mike Rinaldi link
11/12/2013 08:28:23 pm

I could better agree with this article if the introduction clarified this it was written for non-professional screenwriters writing specs. The majority of paying screenwriting work is assignments. Specific page counts are part of the job. Character advice like points #2 and #7 and "write what you know" are agreeable without qualification. Most of the rest of your advice here goes out the window when working for producers and studios.

Reply



Leave a Reply.

    Popular Articles:
    • 5 Famous Character Introductions 
    • 10 Ways to Become a Better Writer
    • 7 Screenwriting Rules That Are Killing Your Creativity
    • How to Cut 10 Pages from Any Screenplay
    • The Screenwriting Secret No One Will Tell You

More information

Screenwriting Articles
Free Movie Scripts


© Copyright Script Quack 2010 - 2017, All Rights Reserved